Grace Villamil performed LU Lock, an excavation of interior sound as spiritual phenomena. Drawing on her practice of embodied sound as both material and spiritual form, Villamil's work operated as an act of resonant attention—tuning the body to frequencies that exist at the intersection of the personal and the sacred. Extending her inquiry into community broadcasting, collective listening, and ancestral memory, the performance invited the assembled audience to attune to dimensions of sound that exceed the audible, locating in the temple gate a chamber for inner resonance and shared presence.